https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/issue/feed Anaphora : Journal of Language, Literary, and Cultural Studies 2023-12-31T12:23:12+00:00 Muizzu Nurhadi muizzu@untag-sby.ac.id Open Journal Systems <p style="text-align: justify;"><strong>Anaphora : Journal of Language, Literary, and Cultural Studies</strong> is a double-blind peer-reviewed journal, open access, and biannual academic journal dedicated to the publications of research in the areas of language, literary, and culture studies. Language studies may include issues in applied linguistics such as sociolinguistics, discourse analysis, critical discourse analysis, pragmatics, stylistics, corpus linguistics and so forth. Literary studies covers English classics, modern and contemporary literature in the forms of printed, screened, aired or performed texts, comparative literature, children literature, sociology of literature, structuralism, psychoanalysis and so forth. Cultural studies cover cultural texts and practices, especially those associated with issues about language and literature, such as gender criticism, media studies, popular culture, and so forth. Its primary objective is to provide a forum for scholars and practitioners in the areas to address such issues. To be selected for publication, the manuscript should present new ideas in the disciplines, originated from empirical, theoretical, and methodological research within both a single discipline and those that sub- or multi-disciplines. This journal encourages a high standard of scholarship, written in the clear and straightforward organization without requiring that authors alter their analytical style and writing voice</p> https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/9662 Comparison of Women and Prostitution in Woman at Point Zero and Tuhan Izinkan Aku Menjadi Pelacur 2023-11-19T07:10:20+00:00 Luzae Luzae luzae-2022@fib.unair.ac.id Adi Setijowati adi-s@fib.unair.ac.id Nadya Afdholy nadyaafdholy@fib.unair.ac.id <p>Everyone has their rights from birth, but not everyone has the same degree of freedom as everyone else, especially if they belong to a minority group. Because of this, women have always been subject to male power and marginalized in all aspects. Due to disappointment toward the gender differences and objectification, many women fall into a profession that is considered taboo and dishonorable by society, that is as a prostitute. This article focuses on the feminist studies regarding women and how they ultimately choose the path of prostitution at last as experienced by the two main characters, that are Firdaus in <em>Women at Point Zero</em> and Nidah Kirani in <em>Tuhan Izinkan Aku Menjadi Pelacur</em>. This article aims to compare and describe women's issues related to prostitution in two different countries, which are Egypt and Indonesia. These two countries have the same religious background because both of them have a majority of Muslim population. To complement the research, a comparative literary approach is also employed to identify the similarities and differences to find the factor that determines the female characters to become sex worker.&nbsp; The results indicate that both of the novels tell the life story of a woman who chose to become a prostitute due to their disappointment in man. Despite the similarity, family issues are a significant contributing factor to Firdaus's becoming a sex worker. As for Nidah Kirani in <em>Tuhan Izinkan Aku Menjadi Pelacur</em> the failure to deal with certain issues effectively. Kirani’s belief in God and the Islamic organization that she thought would show her the real Islam has misled her and because of her disappointment, she turned to be a sex worker.</p> 2023-11-17T04:45:13+00:00 ##submission.copyrightStatement## https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/8689 Masterchef Canada Judges’ Strategies for Giving Compliments in the Season 7 Finale 2023-12-20T07:16:53+00:00 Fanny Virginia fanvirginia10@gmail.com Ambalegin Ambalegin Ambalegin@puterabatam.ac.id <p>This descriptive qualitative research sought to examine compliment as one of the pragmatics phenomena. The object of this research is compliment strategies applied to acknowledge contestants as interlocutors. The finale episode of MasterChef Canada season 7 entitled “And the Winner of Season 7 Is…” became the data source. It got Claudio Aprile, Michael Bonacini, and Alvin Leung to challenge the finalists to show the culmination of their skills in cooking three dishes within three hours. In giving compliments to the contestants, various ways were applied to have their compliments delivered. Compliment utterances of the three judges were collected as data through observational methods and note-taking techniques. The pragmatic identity method and pragmatic competence equalizing technique were then used to analyze the collected data. To theoretically explore compliment strategies, the theory coined by Yuan (2002) was adopted. The result reported that eight out of ten strategies were employed and those were found in 23 utterances. The explicit compliments consisted of ten data, advice showed four data, explanation got three data, contrast had two data, and one data belonged to each strategy of implicit compliment, non-compliment, information question, and future reference. From the strategies, explicit compliments got the highest frequency as the judges tended to express compliments by giving direct compliments without being triggered by previous actions and leaving nothing lack of sureness. In the finale episode, compliments were frequently expressed by including the positive semantic carriers, namely “amazing”, “awesome”, “good”, “beautiful”, “like”, “love”, “elevated, “nailed”, “stop conversation”, and “great”. The frequency of giving compliments was caused by the good performance of the contestants in the Season 7 Finale. The use of compliant expressions helped the judges to express their appreciation in various ways.</p> 2023-12-17T15:35:36+00:00 ##submission.copyrightStatement## https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/9236 The Representations of Socialist Feminism on Lesley Gore’s You Don't Own Me 2023-12-20T07:12:43+00:00 Rommel Utungga Pasopati rommelpasopati@yahoo.com Dian Oktavia dianoktavia055@gmail.com Evangelin Rambu Ayu erambuayu13@gmail.com Raddine Salsabiyla raddinesalsabiyla@gmail.com Devito Andharu devito.andharu@unitomo.ac.id <p>This article exposes analysis of socialist feminism through the song of Lesley Gore entitled <em>You Don't Own Me</em>. Popularized in the 1960s, this song conveys the strength of a woman to fight against any dictation and to reject the wishes of men. This is in line with Clara Zetkin’s socialist feminism in which a woman must always be free from any man’s possession. Zetkin bases her thoughts on socialist concepts that emphasize equality between men and women out of any capital accumulation. By using qualitative methods, in the analysis, Gore uplifts women's dignity by rejecting any domestication and dictation done by men. Women must sound their own voices and stand up for their own rights. In conclusion, women are full of uniqueness that must not be reduced as a toy for men. Women are human beings that are never parts of the capital accumulation of men.</p> 2023-12-20T07:09:41+00:00 ##submission.copyrightStatement## https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/9651 Nigeria Policemen Digital Memes as Reformative Indices 2023-12-22T16:40:08+00:00 Tolulope Abisodun Oluremi toluoluremi@gmail.com Oluwayomi Rosemary Olaniyana oluwayomi.olaniyan@uniosun.edu.ng <p>The corrupt activities of some officers of the Nigeria Police Force (NPF) at checkpoints have in recent times drawn the senses of hypermemetic logic. A number of research studies have investigated Nigerian police discourse. However, digital memes deployed to reflect corruption-related activities at police checkpoints have attracted inconsequential research. This paper, therefore, examines selected Nigeria Police digital memes – multi-moulded socially constructed Nigeria police discourse, instantiated digitally to satirise corruptible policing and privilege reformative advocacy in Nigeria. Seven selected police digital memes were collected from <em>Opera News Nigeria</em>, an app that allows African authors and bloggers to create online content and share such with a fast-growing subscriber base. In interpreting the selected digital police memes, this paper engages the theoretical underpinnings of Gunther Kress’ (2010) social-semiotic theory of multimodality. Through its theoretical apparatus, functional loads such as contemptible open extortion, symbolic blind allusions, duty deviance, wrong motif towards checkpoints, detrimental frustration, checkpoints’ main duty negligence and lawlessness were established. Thus, this paper concludes that the satirical philosophy embedded within most Nigeria Police digital memes points towards reformation and reorientation of members of the Nigeria Police Force.</p> 2023-12-22T16:40:07+00:00 ##submission.copyrightStatement## https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/9613 English Registers of Hotels’ Signage in Surabaya 2023-12-28T10:23:26+00:00 Novta Ittaqy Tafuzi tnovta@gmail.com Fajar Susanto fajarsusanto@unipasby.ac.id <p>This study focuses on the concept of register in sociolinguistics and its relevance to the study of language usage in different domains. Registers represent specific language varieties associated with particular professional or social groups, characterized by distinct vocabulary and sentence structures. The study specifically is to identify the different registers used in hotel signage. In order to describe these registers, a qualitative descriptive research method was employed, as the data consisted of words, phrases, and long expressions extracted from hotels’ signage in Surabaya. The data were analyzed using descriptive analysis and semantic analysis, with a particular focus on Lexical Relations. The findings of the research revealed that the signage in Surabaya hotels can be categorized into two groups: Limited Envelope Register and Open Envelope Register. This study fills a gap in existing literature by providing a comprehensive analysis of the linguistic features and variations that characterize hotel signage, shedding light on the specific language choices and patterns employed in this context. The findings contribute to our understanding of sociolinguistic aspects within the hotel industry and the role of registers in language usage.</p> 2023-12-28T10:23:25+00:00 ##submission.copyrightStatement## https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/9512 The Significance of Socially Constructed Behaviors to Modern Identities on Em Beihold’s "City of Angels" 2023-12-28T10:55:28+00:00 Cahyaningsih Pujimahanani cahyaningsih.pujimahanani@unitomo.ac.id Firdausy Alya Hasana firdausy.alya.hasana@gmail.com Rizal Rafiuddin rizal.rafiuddin@gmail.com Brillyan Luhur Pakerti brillyan.pakerti@gmail.com Rommel Utungga Pasopati rommelpasopati@yahoo.com <p>This article examines perspectives of modern identities in matters of socially constructed behaviors in the song of Em Beihold entitled <em>City of Angels. </em>People recently are attempting to attain a similar level of status and recognition by imitating these figures in appearances, behaviors, and lifestyles. This idea is also reflected on <em>City of Angels</em> is a song by Em Beihold released in 2020 that tells many people faking themselves by trying to imitate other people's attitude and behavior when she working in Los Angeles. Through qualitative method and explorative approach in cultural studies, this journal analyzes modern people shaping their identities by imitating other people's lifestyle and behavior. It is since people are told to always follow the trends to be more modern. In conclusion, in today’s world there is no more original identity, but constructed by imitating any preferred figure or condition with a certain attitude. Modern identities never stand alone, but are supported by socially constructed behaviors.</p> 2023-12-28T10:51:23+00:00 ##submission.copyrightStatement## https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/8907 Individualism and Nonconformity in Robert Frost’s “The Road Not Taken” 2023-12-29T09:37:48+00:00 Arielia Yustisiana arielia.yustisiana@ukwms.ac.id Christina Maya Iriana Sari iriana.sari@ukwms.ac.id <p>The research entitled Individualism and Nonconformity in Robert Frost’s “The Road Not Taken” is cultural study about literature. Written in 1915 in England, "The Road Not Taken" is one of Robert Frost's—and the world's most well-known poems. The poem implicitly delved individualism and nonconformity. The poem can be interpreted as a critique of people’s propensity to second-guess their decisions and think that they would have turned out better. It poses doubts regarding the influence of personal decisions on a person’s life journey and casts doubt on the idea that one path is fundamentally superior than another. Therefore, it became the topic to discuss. It was revealed using poetic devices, that is, metaphor and symbols. Metaphor and symbol are included in sense devices, therefore the theory of figure of speech was used. In order to verbalize individualism and nonconformity in the poem, theory of identity from Stryker (1980) was useful. It was descriptive research and there were two literary approaches used in the research, structural and formalistic approach. It was found that the speaker in the poem, faced with a choice between two roads, takes the road "less travelled," a decision which he or she supposes "made all the difference." The poem beautifully explores the idea of individualism and nonconformity by presenting the choice of a diverging road as a metaphor for life's decisions. The poem encourages readers to embrace their unique identities and make choices that align with their values, even if it means going against societal norms. It celebrates the importance of personal agency and the transformative power of unconventional choices.</p> 2023-12-29T09:37:48+00:00 ##submission.copyrightStatement## https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/7825 The Decline of Negative Stereotype on Chinese Brand Smartphone 2023-12-31T10:22:37+00:00 Abdika Taslih Amrullah abdika.taslih@gmail.com Antonius Rahmat Pujo Purnomo antonius-r-p-p@fib.unair.ac.id <p>People’s preferences for particular brands of smartphones are inextricably linked to the variety of smartphones available in the market. As the emerging power of the world economy, China also has many smartphone brands which are highly distributed in the global market, including in Indonesia despite the negative stigma which attached to the brands. The study examines this phenomena from the scope of cultural studies using the theoretical basis of the circuit of culture (du Gay et al., 1997). The study aims to enrich the perspective on how the consumption of Chinese smartphone brands among Indonesian are regulated, produced, consumed, and represented, which further constructs the perception of how the brands’ images are perceived by the Indonesian customers. The study is conducted based on qualitative approach by observing the interaction enacted in two Facebook groups about smartphones. The analysis of the circuit of culture reveals the development of the Chinese products’ image in Indonesia. The study found that the negative image on the Chinese brands smartphones is declining among the customers. Despite the existing negative comments, the group members often recommend the Chinese brand smartphones when it comes to the functional need with affordable price. Thus, the negative perspective on Chinese brand smartphones which believed that the phones are low quality low price is promisingly shifted into worth price to performance The findings shows that Chinese smartphone brands are gaining more acceptance and positive perception among Indonesian consumers based on their affordable prices and improved quality.</p> 2023-12-31T10:22:36+00:00 ##submission.copyrightStatement## https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/9760 Cultural Identity of North Maluku in Folk Pop: When Traditional Meets the Future 2023-12-31T10:52:47+00:00 Fitriningsih Pratiwi Mahmud fitriningsih@unkhair.ac.id Ahmad Rifani Talaohu ahmadrifani@unkhair.ac.id <p>North Maluku, which located in the eastern part of Indonesia is known for its rich cultural diversity that has been established for centuries. There are many traditions and arts that are represented as part of its cultural expression, in which one of them is music. There are several genres of music that are popular among local residents, from traditional, such as <em>Baronggeng</em> music to modern, such as pop, dangdut, and rock. Amongst these variety of music genres, there is one genre that is able to attract the attention of people outside North Maluku, namely Folk Pop. Interestingly, one of the figures who is quite active in expressing North Maluku identity through this Folk Pop genre is a group of young people who are members of a local music group known as TreesHome. However, a question arises when considering whether or not the identity presented by TreesHome reflects the cultural identity of North Maluku Therefore, the study aims to attest how TreesHome is able to maintain the cultural identity of North Maluku in in each music video clip and each of their stage acts. This study is qualitative descriptive research, and by using Identity Theory approach by Stets and Burke (2022), the study will examine and analyze the aforementioned problem. From the analysis result, can be concluded that TreesHome is able to express elements of North Maluku's cultural identity through a combination of 7 out of 11 ethnic cultural elements proposed by Salter &amp; Harpending (2013) with modernization in the Folk Pop music genre that they present which ultimately provides added value to the cultural identity of North Maluku. Overall, the research can contribute in development of strengthening North Maluku’s cultural identity through Folk Pop by combining traditional and modern music performance.</p> 2023-12-31T10:52:47+00:00 ##submission.copyrightStatement## https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/10101 Front Matter and Back Matter Volume 6, Nomor 2, December 2023 2023-12-31T12:23:12+00:00 Journal Anaphora jurnalanaphora@untag-sby.ac.id <p>NN</p> 2023-11-19T00:00:00+00:00 ##submission.copyrightStatement##