Anaphora : Journal of Language, Literary, and Cultural Studies https://jurnal.untag-sby.ac.id/index.php/ANAPHORA <p style="text-align: justify;"><strong>Anaphora : Journal of Language, Literary, and Cultural Studies</strong> is a double-blind peer-reviewed journal, open access, and biannual academic journal dedicated to the publications of research in the areas of language, literary, and culture studies. Language studies may include issues in applied linguistics such as sociolinguistics, discourse analysis, critical discourse analysis, pragmatics, stylistics, corpus linguistics and so forth. Literary studies covers English classics, modern and contemporary literature in the forms of printed, screened, aired or performed texts, comparative literature, children literature, sociology of literature, structuralism, psychoanalysis and so forth. Cultural studies cover cultural texts and practices, especially those associated with issues about language and literature, such as gender criticism, media studies, popular culture, and so forth. Its primary objective is to provide a forum for scholars and practitioners in the areas to address such issues. To be selected for publication, the manuscript should present new ideas in the disciplines, originated from empirical, theoretical, and methodological research within both a single discipline and those that sub- or multi-disciplines. This journal encourages a high standard of scholarship, written in the clear and straightforward organization without requiring that authors alter their analytical style and writing voice</p> Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya en-US Anaphora : Journal of Language, Literary, and Cultural Studies 2656-3967 <p dir="ltr">Authors whose manuscript is published will approve the following provisions:</p> <ol> <li class="show" dir="ltr"> <p dir="ltr">The right to publication of all journal material published on the <a href="/index.php/ANAPHORA">jurnal anaphora</a> website is held by the editorial board with the author's knowledge (moral rights remain the property of the author).</p> </li> <li class="show" dir="ltr"> <p dir="ltr">The formal legal provisions for access to digital articles of this electronic journal are subject to the terms of the Creative Commons Attribution-ShareAlike (<a href="https://creativecommons.org/licenses/by-sa/3.0/">CC BY-SA</a>) license, which means Jurnal Persona reserves the right to store, modify the format, administer in database, maintain and publish articles without requesting permission from the Author as long as it keeps the Author's name as the owner of Copyright.</p> </li> <li class="show" dir="ltr"> <p dir="ltr">Printed and electronic published manuscripts are open access for educational, research and library purposes. In addition to these objectives, the editorial board shall not be liable for violations of copyright law.</p> </li> </ol> Appropriate Commentary Register in a Match of Volleyball Men’s Nations League 2019 https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/9371 <p>This research examines the register by the commentator's utterance in the video “France vs. Japan - Full Match | Men's Volleyball Nations League 2019. This research aims to discover the register and its meanings in volleyball and explore the appearance of register by paying attention to field, mode, and tenor in utterances made by the commentators in Volleyball Men’s Nations League 2019. The researcher used qualitative methods with descriptive and analysis techniques by using Halliday’s register theory. This research shows that in fields, language is used to explain a situation's context and create social relations. The mode shows how the speaker conveys his message, which involves spoken or written communication. In tenor, the commentator considers the audience equal so that it shows minimal social distance due to the use of informal forms of language, such as the colloquial, the tone, and the choice of words. In conclusion, using registers helps meet communication needs between experts in their fields because they represent languages whose functions are for specific purposes.</p> Nabilah Raisa Muhammad Farkhan Copyright (c) 2026 Nabilah Raisa, Muhammad Farkhan https://creativecommons.org/licenses/by-sa/4.0 2026-02-01 2026-02-01 8 2 10.30996/anaphora.v8i2.9371 Agency Dilemma and the Existence of Women Coffee Workers in Jember https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/13116 This study aims to understand the agency and existence of women coffee workers in Jember through café and coffee shop practices, using Pierre Bourdieu's theoretical framework, namely habitus, and forms of capital. A qualitative approach explored the gender dimensions, legitimacy, and cultural dynamics that distinguish café and coffee shop practices for women to thrive. Data were obtained through in-depth interviews, participatory observation, and then analyzed using a thematic approach. The results showed that women in cafés tend to have high cultural capital through mastery of modern coffee serving techniques and service aesthetics, which creates bourgeois legitimacy. In contrast, women in coffee shops rely on community-based social capital to build interpersonal relationships that create popular legitimacy. Masculine and feminine dimensions also influence coffee consumption practices, with male customers demonstrating cultural dominance by expecting female service. Although women in cafés are often seen as an aesthetic element that enhances the place's attractiveness, their habitus remains a decisive factor in the business's success. In coffee shops, more informal relationships reflect local traditions that strengthen customer loyalty. This research concludes that women's agency in the coffee sector is strongly influenced by the habitus played in the doxa of coffee aena. As such, café and coffee shop practices reflect differences in bourgeois and popular legitimacy relevant to social and cultural dynamics in Jember. Ghanesya Hari Murti Erna Cahyawati L. Dyah Purwita Wardani Imam Basuki Copyright (c) 2026 Ghanesya Hari Murti, Erna Cahyawati, L. Dyah Purwita Wardani, Imam Basuki https://creativecommons.org/licenses/by-sa/4.0 2026-01-31 2026-01-31 8 2 137 149 10.30996/anaphora.v8i2.13116 Adjective Collocations in Gurit Bocah of Belik Magazine: Form and Lexical Meaning https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/132792 <p>This study highlights the importance of examining children’s language use in Javanese literary media as an indicator of language mastery and development. Focusing on the <em>Gurit Bocah</em> section of <em>Belik</em> magazine, this research investigates adjective collocations produced by children by examining their morphological forms and lexical meanings. The data were analyzed using distributional and referential methods. The findings reveal that children predominantly use monomorphemic adjectives, while polymorphemic forms appear through affixation, reduplication, and a combination of compounding and reduplication, totaling fourteen identified forms. In terms of collocation, adjectives consistently combine with multiple nouns and form systematic patterns. These patterns are classified into four semantic groups: (1) physical and natural environment, (2) feelings and mental conditions, (3) values and evaluations, and (4) activities and states. These findings indicate that children’s adjective use in Javanese literary texts is systematic rather than random, reflecting both morphological competence and lexical–semantic awareness shaped by their experiential world and the literary context of <em>Belik</em> magazine.</p> Nanda Nursa Alya Daru Winarti Copyright (c) 2026 Nanda Nursa Alya, Daru Winarti https://creativecommons.org/licenses/by-sa/4.0 2026-01-25 2026-01-25 8 2 116 124 10.30996/anaphora.v8i2.132792 A Study of Digital Globalization: Roblox as Entertainment, Identity, and Youth Cultural Change https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/132798 <p>In Indonesia, Roblox is currently trending and is widely played by online gamers in Indonesia, ranging from millennials to Gen Z and Gen Alpha, who play this online gaming platform from the United States. As part of digital globalization, Roblox is not only a medium of entertainment, but also a means of socialization, identity formation, and the spread of global culture, especially American culture. Most Indonesian Gen Zers use this platform to interact, be creative, and even build cross-border relationships, but they also have the potential to experience a shift in local cultural values due to the strong influence of foreign cultures. This study aims to detect how Roblox shapes the way Indonesian users interact by allowing them to communicate, collaborate, and express themselves through avatars, thereby building a digital identity that reflects the style and culture of the younger generation. The author finds that Roblox has evolved into a global digital space that reflects the culture of the younger generation. As participatory entertainment, this platform allows players to be creative and explore the virtual world. From a socialization perspective, Roblox creates a cross-cultural communication ecosystem that encourages the exchange of values and lifestyles. In addition to being a learning tool, Roblox has been proven to build real connections, with some players even forming friendships and romantic relationships in the real world, showing that the boundaries between the digital world and social reality are becoming increasingly blurred</p> Hanna Alisya Sudaryadi Yusrina Dinar Prihatika Copyright (c) 2026 Hanna Alisya Sudaryadi, Yusrina Dinar Prihatika https://creativecommons.org/licenses/by-sa/4.0 2026-01-31 2026-01-31 8 2 125 136 10.30996/anaphora.v8i2.132798 Motif Structure and the Liminal Function of Death in The Milk-White Doo, A Scottish Folktale https://jurnal.untag-sby.ac.id/index.php/ANAPHORA/article/view/10864 <p>Although Scottish folktales form part of the broader European tradition, they remain underrepresented in global folklore studies. Meanwhile, Scottish tales are rich with cultural traditions and national identity, which tend to be marginalized by the British tales. This article examines the portrayal of death in The Milk-White Doo, a Scottish fairy tale, using an interdisciplinary approach that combines folkloristics and literary analysis. Drawing on the Thompson Motif-Index, Propp’s <em>Morphology of the Folktale</em>, and Victor Turner’s theory of liminality, the study identifies four dominant motifs: unnatural cruelty, animal transformation, reincarnation, and reward and punishment. In addition, it also discusses how death functions structurally through the narrative roles of absentation, villainy, victory, and wedding. The analysis highlights how death is depicted not as an end, but as a liminal process marked by separation, transition, and incorporation. This transformation serves to restore moral and familial order, which reflects historical beliefs in death as a just consequence for wrongdoing. By situating death within a ritual and symbolic framework, the study contributes to broader discussions on justice, grief, and renewal in folklore. It also encourages further research into how modern adaptations reshape traditional death motifs to align with modern cultural values.</p> Alvanita Alvanita Copyright (c) 2025 Alvanita Alvanita http://creativecommons.org/licenses/by-sa/4.0 2025-12-15 2025-12-15 8 2 102 115 10.30996/anaphora.v8i1.10864