BISNIS PERSEWAAN KELUARGA DALAM NASKAH DRAMA TELEVISI KAZOKU KASHIMASU – FAMILY COMPLEX: KAJIAN SOSIOLOGI SASTRA
Abstract
The turning of Japaneses family system Ie into Kazoku Kaku affected negatively on the process
of interaction and communication within the members of the family, with the neighborhood and among
the members of society. In turn, it brought about the idea of family rental business in Japan. Nipon TV
aired a television drama which portrayed this social phenomenon entitled “Kazoku Kashimasu-family
Complex. This article is exploring the cause of the emergence of this phenomenon as seen the TV drama.
This study applied sociological approach. The data in this research are scenes and conversations in a play
entitled “Kazoku Kashimasu-family Complexâ€. The analysis shows that one factor causing the
phenomenon of family rental business is the divorce that resulted in the single parent or a single parent.
Another factor is the family’s disharmony caused by busyness, self-centered nature, the cold war, and the
culture of silence. The change of Japanese family system into the family system Tanshin Setai is reflected
in the life of one of the characters in the television drama “Kazoku Kashimasuâ€. The representation of
family rental business is reflected by a company called Family Romance founded by Shuji as the main
character. The Family Romance is a rental business family which proved a service of rental family for a
wedding reception, a commemoration of those who have died called Shinobukai, the purposes of school
enrollment at the famous school, and for a protest to a school on cases of bullying.
Keywords : sistem keluarga Jepang, persewaan keluarga, drama televisi, sosiologi sastra
Downloads
References
Buku :
Budianta, Melani, dkk. 2002. Membaca
Sastra (Memahami Sastra untuk
Maya P. & Eva A. –Bisnis Persewaan Keluarga dalam Naskah Drama Televisi
Perguruan Tinggi). Magelang :
Indonesia Tera.
Darmono, Sapardi Djoko. 2003. Sosiologi
Sastra. Semarang : Undip.
Emiko, Ochiai. 1997. The Japanese
Family System in Transition.
Jepang : LTCB International
Library Foundation.
Faruk. 2010. Pengantar Sosiologi Sastra.
Yogyakarta : Pustaka Pelajar.
Khairudin. 2008. Sosiologi Keluarga.
Jakarta : Bumi Aksara
Kurniawan, Heru. 2012. Teori, Metode,
dan Aplikasi Sosiologi Sastra.
Yogyakarta : Graha Ilmu.
Moleong, Lexy J. 1998. Metode
Penelitian Kualitatif. Bandung :
PT Remaja Rosdakarya .
Morita, Y. 2001. The Comparative Study
on Bullying in Four Countries.
Tokyo : Kaneko Shobo.
Naka, Hisao. 1983.
KaumMudaJepangdalamMasaPer
ubahan.Yogyakarta : Gajah Mada
University Press.
Nakane, Chie. 1978. Ie no Kozo. Tokyo :
Tokyo Daigaku Shuppankai.
Nazir, Muhammad.1988. Metode
Penelitian. Jakarta : Ghalia
Indonesia.
Nurhayati, Deni. 2000. Kritik Sosial
dalam Drama Draussen Vor De
Tiir Karya Wolfgang Borchert.
Yogyakarta : UNY.
Steinberg, R Shirey, Joe L Kincheloe,
dan Patricia H Hinchey. 1999.
The Post – Formal Reader :
Parafrase Vol. 16 No.02 Oktober 2016
Cognition and Education. New
York : Psychology Press.
Sudjiman, Panuti. 1990. Kamus Istilah
Sastra. Jakarta : Universitas
Indonesia.
Sugeng. 2010. PengertianKeluarga.
Jakarta :Erlangga.
Sugimoto, Yoshio. 1977. An Introduction
to Japanese Society. Cambridge :
Cambridge University Press.
Suhendi, Hendi, dan Wahyu Ramdani.
Pengantar Sosiologi
Keluarga. Bandung : Pustaka
Setia.
Waluyo, J.Herman. 2006. Pengkajian
dan Apresiasi Prosa Fiksi.
Surakarta : Universitas Sebelas
Maret.
Wellek, Renedan Austin Warren. 1989.
Teori Kesusastraan. Jakarta :
Gramedia.
Wijayanto, Asul. 2007. Terampil
Bermain Drama. Jakarta :
Grasindo.
Wilis, Sofyan S. 2008. Konseling
Keluarga(Family Counseling).
Bandung : Alfabeta.
Yoshiko, Mitsuma. 2000. Kaze ni
Osorareta. Tokyo : Bungeisha.
Zulfahnur, dkk. 1996. TeoriSastra.
Jakarta: Departemen Pendidikan
dan Kebudayaan.
Penelitian :
Anwar, Etty N. 2007. Ideologi Keluarga
Tradisional Ie dan Kazoku Kokka
pada Masyarakat Jepang Sebelum
dan Sesudah Perang Dunia II.
Depok : Universitas Indonesia.
Maya P. & Eva A. –Bisnis Persewaan Keluarga dalam Naskah Drama Televisi
Iwao, Sumiko dan Nishibetsu Atsuko.
Terebi Dorama no Shakai
Shinrigakuteki Kenkyuu : Waiyou
Bunseki no Chuushin Toshite.
Tokyo : Tokyo Daigaku.
Katsuhiko, Fujimori. 2008. Tanshin Setai
no Zouka Motomerareru Safety
Network no Saikouchiku. Tokyo:
Mizuho Souken.
Rodin, Dani. 2013. Kajian Sosiologi
Sastra dan Nilai Pendidikan
Naskah Drama Sampek Engtay
Karya N. Riantiarno. Surakarta :
Universitas Sebelas Maret.
Internet :
Balistrieri, Emily. 2013. Japan Pulse :
Rent a dude for ¥1,000: an
interview with Takanobu
Nishimoto of Ossan
Rental.(online).
(http://blog.japantimes.co.jp/japan
-pulse/rent-a-dude-for%C2%A51000-an-interviewwith-takanobu-nishimoto-ofossan-rental/,
diakses pada 10
Februari 2016).
BBC. 2009. Rent a friend in Japan.
(online).
(http://news.bbc.co.uk/2/hi/progra
mmes/from_our_own_correspond
ent/7818140.stm, diakses pada 14
September 2015).
GoodDrama.net.2012.KazokuKashimasu
- Family Complex. (online).
(http://www.gooddrama.net/japan
ese-drama/kazoku-kashimasufamily-complex,
diakses pada 1
April 2014).
Hagemashi Tai. 2013. Officiall Website
Hagemashi Tai. (online).
(http://www.hagemashi-tai.com/,
diakses pada 10 Maret 2016).
Parafrase Vol. 16 No.02 Oktober 2016
Hays, Jeffrey. 2013. Divorce in Japan.
(online).
(http://factsanddetails.com/japan/c
at18/sub117/item616.html,
diakses pada 16 Mei 2016).
Japan.net. 2013. Di Jepang Kamu Bisa
Sewa Orangtua. (online).
(http://www.jepang.net/2013/10/d
i-jepang-kamu-bisa-sewa-orangtua.html,
diakses pada 1 April
.
Japanese Population Census. 2010.
(online).
(http://www.stat.go.jp/english/dat
a/kokusei/, diakses pada 11
Februari 2016).
Kotobank.jp. 2012. (online)
(https://kotobank.jp/word/%E3%8
%AC%E3%83%B3%E3%82%B
F%E3%83%AB%E5%AE%B6%
E6%97%8F-190228, diakses pada
April 2016).
Kumagai, Fumie. 2006. The Fallacy of
Late – Life Divorce in Japan. Care
Management Journals. (online).
(http://search.proquest.com/docvie
w/198024415?accountid=17242,
diakses pada 15 Mei 2016).
McCurry, Justin. 2009. Lonely Japanese
find solace in 'rent a friend'
agencies. (online).
(http://www.theguardian.com/wor
ld/2009/sep/20/japan-relativesprofessional-stand-ins,
diaksespada
September
.
Ministry of Health, Labour, and Welfare.
Kokumin Seikatsu Kiso
Chousa. (online).
(http://www.mhlw.go.jp/toukei/sa
ikin/hw/k-tyosa/k-tyosa09/,
diakses pada 15 Mei 2016).
Maya P. & Eva A. –Bisnis Persewaan Keluarga dalam Naskah Drama Televisi
Mydramalist.com. 2012. Kazoku
Kashimasu – Family Complex.
(online).
(http://mydramalist.info/title/1401
/kazoku%2C_kashimasu%3A_fa
mily_complex, diakses pada 2
April 2015.
National Institute of Population and
Society Research. 2014. (online).
(http://www.ipss.go.jp/ppajsetai/e/hhprjpref2014/tpage_e.asp,
diakses pada 15 Mei
.
Sheehan, Helena. 1985. Is Television
Drama Ideological ? “The Crane
Bag Vol 9, No.1 Contemporary
Culture Debate. (online).
(http://www.jstor.org/stable/3005
?seq=1#fndtnpage_scan_tab_contents,
diakses
pada 7 Juni 2016).
Statistical Handbook of Japan 2015.
(online).
(http://www.stat.go.jp/english/dat
a/handbook/c0117.htm, diakses
pada 15 Mei 2016).
Parafrase Vol. 16 No.02 Oktober 2016
The Japan Times. 2010. Only connect:
Japan struggles to bond. (online).
(http://www.japantimes.co.jp/new
s/2010/07/04/national/medianational/only-connect-japanstruggles-tobond/#.Vbb0EBuqqkp,diaksespad
a
September
The Japan Times. 2015. Nearly 40% of
single Japanese not interested in
romance: survey. (online).
(http://www.japantimes.co.jp/new
s/2015/06/22/national/socialissues/nearly-40-of-singlejapanese-not-interested-inromancesurvey/#.V3SV0TW_3Dd,
diakses
pada
Juni
.
Watanabe, Teresa. 1992. Los Angeles
Times : Rent-A-Family Fills
Emotional Need In Busy Japan.
(online).
(http://community.seattletimes.nw
source.com/archive/?date=199205
&slug=1491524, diaksespada
September 2015)
Sumber Lain :
Wawancaradengan pemilik perusahaan
Hagemashi – Tai. Ryuichi
Ichinokawa. 2016.
Authors publishing in the Journal will be asked to sign a Copyright Assignment Form. In signing the form, it is assumed that authors have obtained permission to use any copyrighted or previously published material. All authors must read and agree to the conditions outlined in the form, and must sign the form or agree that the corresponding author can sign on their behalf. Articles cannot be published until a signed form has been received.It is a condition of publication that authors assign copyright or license the publication rights in their articles, including abstracts, to email jurnalparafrase@untag-sby.ac.id. . This enables us to ensure full copyright protection and to disseminate the article, and of course the Journal to the widest possible readership in print and electronic formats as appropriate.