The Representations of Socialist Feminism on Lesley Gore’s You Don't Own Me

  • Rommel Utungga Pasopati Universitas Dr. Soetomo Surabaya
  • Dian Oktavia Universitas Dr. Soetomo Surabaya
  • Evangelin Rambu Ayu Universitas Dr. Soetomo Surabaya
  • Raddine Salsabiyla Universitas Dr. Soetomo Surabaya
  • Devito Andharu Universitas Dr. Soetomo Surabaya
Keywords: feminism, gender equality, Lesley Gore, You Don’t Own Me

Abstract

This article exposes analysis of socialist feminism through the song of Lesley Gore entitled You Don't Own Me. Popularized in the 1960s, this song conveys the strength of a woman to fight against any dictation and to reject the wishes of men. This is in line with Clara Zetkin’s socialist feminism in which a woman must always be free from any man’s possession. Zetkin bases her thoughts on socialist concepts that emphasize equality between men and women out of any capital accumulation. By using qualitative methods, in the analysis, Gore uplifts women's dignity by rejecting any domestication and dictation done by men. Women must sound their own voices and stand up for their own rights. In conclusion, women are full of uniqueness that must not be reduced as a toy for men. Women are human beings that are never parts of the capital accumulation of men.

Downloads

Download data is not yet available.

References

Annasai, A. A., Wijaya, K., & Pasopati, R. U. (2023). Matter of Superiority Complex as Depicted on Leo Tolstoy’s The Three Hermits. Proceeding International Conference on Religion, Science and Education, 727–734.

Attamimi, F. N., Smarandreetha, F. G., & Pasopati, R. U. (2023). Idealized Female Beauty as Represented in Alessia Cara’s Song Scars to Your Beautiful. Alungcipta Jurnal Ilmiah Multidisiplin, 1(3), 110–117.

Aulia, A. D., Annasai, A. A., & Pasopati, R. U. (2022). The Implementation of Conspicuous Consumption on Gender as Indicated on Jax’s Victoria’s Secret. Proceeding of International Seminar Enrichment of Career by Knowledge of Language and Literature, 42–55.

Bühler, M., Vollmer, L., Wimmer, J., (2023), Female Education and Change, J. Econ Growth.

Desmawati, E. (2018). Analysis of Feminism in the Novel of Little Women By Louisa May Alcott. Journal of Language and Literature, 6(2), 91–96. https://doi.org/10.35760/jll.2018.v6i2.2487

Dewi, N., & Medina, T. I. (2020). Feminism Portrayed in Greta Gerwig’s Movie Little Women; Analysis in the Modern Era. JEE (Journal of English Education), 6(2), 104–116.

Ezekiel, A. (2021). Clara Zetkin: Selected Speeches and Writings (1889–1932). In Women Philosophers in the Long Nineteenth Century: The German Tradition (pp. 154–176). Oxford University Press.

Fadiyah, L., Wulandari, L., Pujimahanani, C., & Pasopati, R. U. (2023). The Emprises of Gaia Hypothesis as Shown on the Film Maleficent. Jurnal Multidisiplin Dehasen, 2(2), 215–224.

Gaido, D., & Frencia, C. (2018). A Clean Break”: Clara Zetkin, the Socialist Women’s Movement, and Feminism. International Critical Thought, 8(2), 277–303.

GeniusMedia. (2010). You Don’t Own Me Lyrics. https://genius.com/Lesley-gore-you-dont-own-me-lyrics

Götze, D. (1982). Clara Zetkin. VEB Bibliographisches Institut.

Haan, F. de. (2023). The Palgrave Handbook of Communist Women Activists around the World. Springer.

Hamidah, G. F. A., Rengganis, D. A., Budianto, S., & Pasopati, R. U. (2023). Gynocriticism As Bolstered On Margaret Atwood’s Giving Birth. Jurnal Multidisiplin Dehasen, 2(2), 225–232.

Ibrahim, L. N., Calista, S. N., & Pasopati, R. U. (2022). Gender Dysphoria as Interpreted on Against Me!’s FUCKMYLIFE666. Proceeding of International Seminar Enrichment of Career by Knowledge of Language and Literature, 105–115.

Ibrahim, L. N., Calista, S. N., & Pasopati, R. U. (2023). The Relevance of God’s Voice in Conscience and Its Impact to Character Building. Proceeding International Conference on Religion, Science and Education, 349–355.

Jacobse, C. (2017). Clara Zetkin: The Crossroad of Socialism and Feminism. narratives.digital/narrative/clara-zetkin-crossroad-socialism-and-feminism

Meylawati, N. I. (2021). Peranan Clara Zetkin dalam Pergerakan Perempuan di Jerman (1891-1917). Universitas Pendidikan Indonesia.

Partington, J. S., & Klüsener, B. (2016). Clara Zetkin’s 1914 Preface to Edward Bellamy’s Looking Backward. Utopian Studies, 27(1), 16–27.

Pujimahanani, C., Pasopati, R. U., & Anasis, F. (2022). Gender Performativity as Asserted on Kate Chopin’s A Respectable Woman. Anaphora: Journal of Language, Literary, and Cultural Studies, 5(1), 92–103.

Rengganis, D. A., Hamidah, G. F. A., Kartiningsih, R., & Pasopati, R. U. (2023). Gender Discriminations as Reflected in the Film on The Basis of Sex. TANDA: Jurnal Kajian Budaya, Bahasa Dan Sastra, 3(2), 13–31.

Smarandreetha, F. G., Attamimi, F. N., Wijaya, K., & Pasopati, R. U. (2023). The Representations of Inferiority Complex as Depicted on Virginia Woolf’s’ The Duchess and The Jeweller’. Jurnal Adijaya Multidisplin, 1(1), 240–247.

Tolliver, T. (2015). You Don’t Own Me: The Life and Times of Lesley Gore. Backbeat Books.

Walby, S. (2011). The Future of Feminism. Polity Press.

Wijaya, T. I., Ibrahim, L. N., Pujimahanani, C., & Pasopati, R. U. (2023). The Idea of Constructive Feminism in Naguib Mahfouz’s The Answer is No. KOLONI, 2(1), 122–131.

Yuliastuti, A., Pujimahanani, C., & Pasopati, R. U. (2021). The Reflections of Maternal Passions as Asserted in Y. B. Mangunwijaya’s Mbah Benguk. SESHISKI: Southeast Journal of Language and Literary Studies, 1(2), 92–103.

Yuliastuti, A., Pujimahanani, C., & Pasopati, R. U. (2022). The Ambivalent Sexism as Bolstered on Richard Russo’s The Whore Child. Proceeding of International Seminar Enrichment of Career by Knowledge of Language and Literature, 66–75.

Zetkin, C. (1934a). Lenin on the Woman Question. International Publishers.

Zetkin, C. (1934b). Reminiscences of Lenin. International Publishers.

Zetkin, C. (2017). Fighting Fascism: How to Struggle and How to Win. Haymarket Books.

Published
2023-12-20
How to Cite
Pasopati, R., Oktavia, D., Ayu, E., Salsabiyla, R., & Andharu, D. (2023). The Representations of Socialist Feminism on Lesley Gore’s You Don’t Own Me. Anaphora : Journal of Language, Literary, and Cultural Studies, 6(2), 118-129. https://doi.org/10.30996/anaphora.v6i2.9236
Section
Articles