Persepsi Musisi Folk Surabaya Berlabel Independen Terhadap Media Baru Sebagai Sarana Komunikasi
Abstract
ABSTRACT
In the music industry, record labels are divided into two. The first is the independent record label better known as the indie label, and the second is the major record label known as the major label. Major labels are known as a huge record labels in the music industry, while indie labels are associated with smaller industries. Indie labels, the distribution tends to be uneven and not in official distribution stores or through communities. Indie musicians do more publications through new media, especially social media. Few of the independent musicians is Yuvi and Briliyan, who are personnel from the band Humi Dumi. Social media is used, among others, Instagram and Twitter, facebook, spotify, Youtube, and soundcloud. Therefore, this study aimed to analyze perception of the folk musicians in independent label about new media as a communication medium. This study is a qualitative study using the case study method. This type of research is descriptive research that is supported by the data collection technique through observation, interview, and documentation. The result of this study demonstrate the use of new media that include Instagram, Twitter, Soundcloud, Spotify, Youtube, and website as a medium to communicate. With new media, the interaction between Briliyan and Yuvi and fans becomes easier. With a good interaction, the awareness of the audience to independent musician will also increase.
Keywords: Perception, New Media, Independent Music, Communication
Downloads
References
Banoe, P. 2003. Kamus Musik. Yogyakarta: Kanisius.
Belch, George E & Michael A. Belch, 2003. Advertising and Promotion: An Integrated Marketing Communication Perspective. International Edition. New York: McGraw Hill
Effendy, Onong Uchjana. 1989. KAMUS KOMUNIKASI. Bandung: PT. Mandar Maju
Flew, Terry. 2008. New Media: An Introduction. England: Oxford University Press
Harper-Scott, J. P. E, dan Jim Samson. 2009. Music Studies. New York: Cambridge University Press.
Laughey, Dan. 2006. Music and Youth Culture. Edinburgh: Edinburgh University Press Ltd.
Laughey, Dan. 2007. Key Themes in Media Theory. United Kingdom: McGraw Hill Education
Lievrouw, Leah A. 2011. Alternative and Activist New Media. Malden, MA: Polity Press.
Lister, Dovey; Giddings, Grant, & Kelly. 2009. New Media: A Critical Introduction. New York: Routledge.
Makhsara, Ivan. 2017. Rolling Stone Indonesia. Jakarta: PT Suburmitra Grafistama
Putrantro, Wendy. 2009. Rolling Stones Music Biz: Manual Cerdas Menguasai Bisnis Musik. Yogyakarta: PT Bentang Pustaka.
Schmidt, Eric & Jared Cohen. 2013. The New Digital Age. Jakarta: Kapustakaan Populer Gramedia.
Severin, Warner J. & James W. Tankard, Jr. 2014. Teori Komunikasi: Sejarah, Metode, dan Terapan di Dalam Media Massa. Jakarta: Kencana
Authors whose manuscript is published will approve the following provisions:
The right to publication of all journal material published on the jurnal representamen website is held by the editorial board with the author's knowledge (moral rights remain the property of the author).
The formal legal provisions for access to digital articles of this electronic journal are subject to the terms of the Creative Commons Attribution-ShareAlike (CC BY-SA) license, which means Jurnal Representamen reserves the right to store, modify the format, administer in database, maintain and publish articles without requesting permission from the Author as long as it keeps the Author's name as the owner of Copyright.
Printed and electronic published manuscripts are open access for educational, research and library purposes. In addition to these objectives, the editorial board shall not be liable for violations of copyright law.