Gamelan Sebagai Simbol Estetis Kebudayaan Masyarakat Jawa
Abstract
Supporting music has the power to represent the culture of a person or group at a particular time. He understood to have a basis for understanding, determining the ways and actions in each note produced. The color of the voice, the pitch and the musical work in each region have many differences. Because in essence, music is a work of art that is here is an aesthetic symbol of every different cultural community.Gamelan is a musical instrument that represents or depicts Javanese culture. Some Javanese gamelan in Surakarta, Yogyakarta and Cirebon, among others are Kyai Guntur Madu, Kyai Guntur Sari, Kyai Naga Wilaga and Gong Sekati. That every gamelan has aesthetic symbols that are attached and contained in the laras, embat, gending, deferment, wasps and repeto technique. These 6 factors reflect Javanese culture such as beliefs, language, philosophy, livelihoods and social relations which are still faced and preserved. Research symbols are concentrated in each gamelan, intrinsic, extrinsic and instrumental symbols. The three are interrelated and elaborated on the message or meal that is presented about Javanese culture.
Keywords: Gamelan, Aesthetic Symbols, Javanese Culture
Downloads
References
_________, Agama dan Pluralitas Budaya Lokal. Surakarta:Muhammadiyah University Press, 2003.
__________, Gamelan.- Interaksi dan Perkembangan Musikal di Jawa. Yogyakarta: Pustaka Pelajar, 2003.
Fananie, Z., Pandangan Dunia KGPAA Hamangkoenagoro I dalam Babad Tutur: Sebuah Restrukturasi Budaya. Surakarta: Muhammadiyah University Press, 1994.
Hadi, W.M.A., “Islam dan Dialog Kebudayaan: perspektif Hermeneutik. ”Dalam Zakiyuddin Baidhawy dan Mutohaharun Jinan (ed),
Hastanto, Sri. Konsep Pathet dalam Karawitan Jawa.Surakarta: Program Pascasarjana bekerja sama dengan ISI Pres Surakarta, 2009.
Hendarto, Sri., dan Prof. Dr. Sri Hastanto, S.Kar., 2011, Organologi dan Akustika I & II, Lubuk Agung, Bandung.
Koentjaraningrat, Kebudayaan Jawa. Jakarta: BalaiPustaka, 1984.Moedjanto, G., Konsep Kekuasaan Jawa.Yogyakarta: Kanisius, 2002.
Moertono, S., Negara dan Usaha Bina Negara di JawaMasa Lampau: Studi Tentang MasaMataram H, Abad XVI Sampai XIX Jakarta: Yayasan Obor Indonesia, 1985.
Prajapangrawit, Serat Sujarah Utawi Riwayating Gamelan: Wedhapradangga (Serat Saking Gotek). Surakarta: STSI Press, 1990.
Sumarsam. 2002. “Gong Besar Jawa” dalam Seni Pertunjukan Edisi Bahasa Indonesia. Jakarta: Buku Antar Bangsa.
Supanggah, Rahayu. 1995. Ethnomusikologi. Yogyakarta: Yayasan Benteng Budaya, MSPI.
Soeratman, D., Kehidupan Dunia Kraton Surakarta. 1890-1939. Yogyakarta: Taman Siswa, 1985
Sofyan, R., “Interelasi Nilai Jawa dan Islam dalain Aspek Kepercayaan dan Ritual”, dalam Darori amin (ed). Islam & KebudayaanJawa. Yogyakarta: Gama Media, 2002. Sumarsam, Hayatan Gamelan: Kedalaman Lagu, Teori dan Perspektif. Surakarta: STSI Press, 2002.
Sunarto, B., “Budaya Musik Karaton Surakarta”, dalam Panggung. Jurnal Seni STSI Bandung. No. XXXVI. 2005. Hal. 9-28. Bandung: STSI Press, 2005.
Supadjar, D., Nawang Sari. Yogyakart: Fajar Pustaka Baru, 2001.
Supanggah, R., Bothekan Karawitan I. Jakarta: Masyarakat Seni Pertunjukan Indonesia, 2002.
Waridi, Karawitan Jawa Masa Pemerintahan PB X: Perspektif Historic dan Teoritis. Surakarta: ISI Press, 2006.
Authors whose manuscript is published will approve the following provisions:
The right to publication of all journal material published on the jurnal representamen website is held by the editorial board with the author's knowledge (moral rights remain the property of the author).
The formal legal provisions for access to digital articles of this electronic journal are subject to the terms of the Creative Commons Attribution-ShareAlike (CC BY-SA) license, which means Jurnal Representamen reserves the right to store, modify the format, administer in database, maintain and publish articles without requesting permission from the Author as long as it keeps the Author's name as the owner of Copyright.
Printed and electronic published manuscripts are open access for educational, research and library purposes. In addition to these objectives, the editorial board shall not be liable for violations of copyright law.