PEREMPUAN YANG MENGUNDANG MAUT: ANALISA STRUKTUR NARATIF A. J. GREIMAS PADA FILM AIR TERJUN PENGANTIN

  • Kukuh Yudha Karnanta Dosen Prodi Magister Kajian Sastra dan Budaya, Fakultas Ilmu Budaya, Universitas Airlangga Surabaya
DOI: https://doi.org/10.30996/parafrase.v15i01.434

Abstract

Abstract. This article discussed a movie entitled Air Terjun Pengantin, one of the horror movies played in Indonesia in 2010, by utilizing the theory of AJ Greimas’s narrative structure to identify inherent discourse. The discussion aimed at dismantling the cinematic and narrative conventions so that the film could be received and understood. The analysis showed the existence of between men and women relationship as well as the image of women in the film. The relationship went so smooth under the patriarchal ideology internalized through some points and one of them was the film. Thus, both in form and content, Air Terjun Pengantin was one of the films that continues to vocalize patriarchal ideology and women stereotyping.

 

Keyword: struktur naratif, aktansial, perempuan

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References

Fairclough, Norman. 1992. Discourse and Social Change (Cambridge: Polity Press)

Schelefier, Ronald. 1984. “Introduction†dalam Greimas, A. –J. Structural Semantics: an attempt at a method. London: University of Nebraska Press

Stam, Robert. 2005. New Vocabularies in Film Semiotics. London: Routledge.

Mulvey, Laura. 2006. “Visual Pleasure and Narrative Cinema†dalam Durham, Meenkashi dan Douglas M. Kellner (ed). Media and Cultural Studies. Oxford: Blackwell Publishing.

Published
2015-10-01
How to Cite
1.
Karnanta K. PEREMPUAN YANG MENGUNDANG MAUT: ANALISA STRUKTUR NARATIF A. J. GREIMAS PADA FILM AIR TERJUN PENGANTIN. parafrase [Internet]. 1Oct.2015 [cited 7May2024];15(01). Available from: https://jurnal.untag-sby.ac.id/index.php/parafrase/article/view/434
Issue
Vol 15 No 01 (2015)
Section
Articles

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